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Social Media News: August

Social Media News: August

A lot has been happening in the world of social media in August and in this week’s blog post, we’re sharing some of our highlights… 

 

From our favourite integrated campaigns to some exciting new features and updates to the most popular platforms, including Facebook, TikTok, and Instagram, we’ll be unpacking what made the biggest impact in the digital space and what’s captured our attention at Stripe!  

Beluga whaleCredit: @PA

A campaign that made us smile…

This month marked a major milestone in our historic global PR & Social Media campaign for the SEA LIFE Trust Beluga Whale Sanctuary project. After years of planning, logistical hurdles, weather postponements and a global pandemic to overcome, this was the day that two former captive whales, Little Grey and Little White, would finally be reunited with the sea after spending the majority of their lives in captivity. The campaign caused a massive splash, making global news around the world, including two UK national news front pages, a BBC Breakfast, and ITN News at Ten feature. This was supported by a social content strategy focused on amplifying major media milestones in the journey of Little Grey and Little White, resulting in two Twitter Moments.

 

Platform updatesTop #3 Platform Updates

Out with the old! Facebook has changed to its new-look platform, making it easier for users to navigate. 

Twitter now lets users limit replies to their tweets. This is not the only update with the platform having launched their new API for third-party suppliers. 

Copycat alert! Instagram has now launched Reels it’s very own ‘TikTok-esque’ feature.

Reese Witherspoon

Credit: @ReeseWitherspoon

 

Favourite Viral Meme

The months of 2020… as told by celeb photos. Celebs have been describing how we’ve all been feeling during each month of 2020, using pictures of themselves. This trend has been jumped on by Reese Witherspoon and Mindy Kaling, among others. 

 

Don’t forget to follow @StripeCom on Facebook, Twitter, Instagram, and LinkedIn to keep up to date with what’s happening in the world of Stripe!

HOME TO THE OCEAN – AN EPIC STORY GIVEN A GLOBAL PLATFORM

HOME TO THE OCEAN – AN EPIC STORY GIVEN A GLOBAL PLATFORM

Senior Account Director, Andrew Boocock, reflects on the epic nature of delivering a historic global PR & Social Media campaign to tell the story of the world’s first open water sanctuary for beluga whales.

Waking up at 4.45am in the Hotel Vestmannaeyjar on Friday 7th August, the calm Icelandic dawn brought a reassuring sense of inevitability.

After years of planning, logistical hurdles, weather postponements and a global pandemic to overcome, this was the day that two former captive whales, Little Grey and Little White, would finally be reunited with the sea after spending the majority of their lives in captivity.

As I reluctantly swallowed my daily shot of cod liver oil, I had to pinch myself. Not in response to this frankly disgusting breakfast I had routinely adopted, but at the sheer scale of the journey myself and the team had been on with the SEA LIFE Trust Beluga Whale Sanctuary project.

We were about to help tell the story of a historic moment in marine and animal welfare which had never been done before. Gulp!

 

From Shanghai to Iceland: a global strategy to build love, excitement and sentiment

Almost three years earlier, I had relocated my family from Edinburgh to London to start a new life in the capital. The SEA LIFE Trust Beluga Whale Sanctuary project represented a massive opportunity to fulfil my ambitions for travelling the world and being part of an agency delivering campaigns with purpose. As a global communications brief, it didn’t get more epic.

This was a multi-faceted story to tell, not least in its scale and complexity. No-one had ever created a campaign strategy for a beluga whale sanctuary before.

We were starting from scratch, but at its core the team set out with a clear vision and objectives:

  • Build awareness, love and excitement for the Beluga Whale Sanctuary to take a global audience on a journey of discovery
  • Deliver engaging and educative content to grow a community of advocates and show the different stages of Little Grey and Little White’s journey to the world’s first open water sanctuary
  • Protect and manage the reputation of the associated brands and the Beluga Whale Sanctuary on a global scale during each stage of the project.

Using a multi-channel approach, our content strategy focused on amplifying major media milestones in the journey of Little Grey and Little White, whilst creating a drum beat of news and regular updates on the whale’s progress to help grow a community of fans on social using video and beautiful imagery.

From the initial project announcement in June 2018 to Little Grey and Little White’s 6,000 miles journey by land, air and sea from an aquarium in Shanghai to a remote Icelandic island called Heimaey last year, we have focused on maximising visibility and engagement at every phase of the campaign.

But amongst all the media coverage, Twitter moments and boots-on-the-ground assignments, there is one principle which has been integral to the campaign’s success: building relationships.

 

Home to the ocean

I learnt early on in my career that starting conversations, building connections and establishing relationships matters. People work with people, and over the past three years the relationships the team has cultivated and trust this has forged with the client, their stakeholders and international media contacts on an individual level is what has helped to make each moment fly.

The relationship forged with a media partner such as PA Media, for example, has been critical to the lifeblood of the story. Capturing video content and stills assets at different stages has not only helped to manage the flow of comms but also to inspire people’s love for the whales and the project.

Thanks to the beluga care experts, vets, Icelandic volunteers and none other than TV presenter and comedian, John Bishop, who is narrating an ITV documentary series on the project due to be aired this autumn, I’m pleased to say Little Grey and Little White are doing well after moving from their landside care facility to the sea sanctuary care pools.

John Bishop with Andrew Boocock, Senior Account Director, Stripe Communication, at the SEA LIFE Trust Beluga Whale SanctuaryBefore a big story breaks, there are always anxious moments the night before. How will the media react? Will people engage as you had hoped?

When the embargo lifted on Monday 10 August, I believed we had done all we can as a team to give the story its best chance.

Two UK national news front pages, a BBC Breakfast and ITN News at Ten feature later, the press office email has not stopped. We’ve set up interviews and responded to media as far away as Los Angeles in the West, and Seoul in the East.

But it’s the small things that matter which brings me back to my point about relationships.

At the end of a long and busy week I received a WhatsApp from one of the key visionaries behind the project.

‘Have a fab weekend and thanks again for all your support with this project. The biggest piece of this is about inspiring the public by getting the message out…’

Time for another one of those pinch-myself moments.

 

So long superficial social stars – it’s time for the real influencers to step up

So long superficial social stars – it’s time for the real influencers to step up

The pandemic has made us, as consumers, reassess and reflect on exactly who we’re following online, and why. As the UK public put a spotlight on our everyday heroes – the nurses, bin men and shelf stackers fighting the good fight right there on the frontline – slowly we began to realise that influencer culture had got a little out of control.

From sponsored brand deals, collaborations and an all-expenses paid lifestyle – or at least, the illusion of one – influencers appeared to have been given an easy ride over the past couple of years.

Then coronavirus happened.

Sponsored posts on Instagram fell from representing 35% of influencer content in mid-February to 4% in mid-April according to a report by Launchmetrics. Covid-19 forced content creators to strip back all the luxuries and go back to doing exactly that – creating their own content. With no glamorous events, launches and comped travel to luxe destinations, influencers have retreated to their bedrooms, mirroring exactly what their viewers have been doing for the past four months.

Back to the bedroom

For those of us who remember YouTube’s ‘What’s in my Bag’ era when Zoella filmed her videos in a box room at her parent’s house and Tanya Burr still spent her weekends working on a makeup counter, there’s something satisfying in knowing that throughout lockdown, our favourite influencers were binging Normal People right alongside us.

Pretty much overnight, influencers had to relinquish control of their carefully curated content, pare back their aesthetically pleasing lives and go back to the drawing board to work out exactly what their fans enjoy (and balancing that with much needed hits and engagement) at a time when social media provided a much-needed solace for so many.

In some cases, it’s been refreshing. As we all dusted off our kindles, Beth Sandland launched her virtual book club and brought readers from around the world together. When restaurants and bars were forced to close, Ailsa from Edin Eats pivoted her content from recommending the best places to eat in the city to ‘Edin Cooks’, a series where she learned to cook from scratch in her kitchen.

Josie LDN has captivated Insta audiences over lockdown with her home renovation. Yes, it might be a glorious, million-pound Cotswolds bolthole rather than a one-bedroom studio with a shower above the toilet, but who hasn’t enjoyed a bit of lockdown DIY?

However, it’s clear that others have struggled with developing their style when the safety net is wheeked away (no names mentioned – in this blog post anyway…).

The behaviour backlash

Predictably, living your life online comes with a level of accountability and some influencers have been caught out. Creators such as Arielle Charnas were called out for flouting social distancing rules and travelling long distances – with their followers describing their behaviour as irresponsible, insensitive or just plain old out of touch. Suddenly, fans took off their rose-tinted glasses and instead started to view their favourite influencers with piercing clarity.

So, is this the end of the road for influencers? Despite the backlash, influencer marketing is still one of the most powerful and measurable forms of marketing. During times of uncertainty, people rely on those individuals with credibility to educate, entertain and inspire. That’s not going to change. Influencers just need to ensure that they’re being genuine with the content they’re putting out there and continue to be as authentic as possible.

The rise of authenticity and purpose

Authenticity is something PR professionals have been banging on about for years. But, some of the time, it’s been lip service. How many times has a client said they want to work with a Zoe Sugg, because they can’t see further than the follower count over engagement levels? They’re happy to ‘pay and display’ – pay a one off sum for an Insta Story, a tweet, a single post with #ad. But what’s the benefit for the brand, and ultimately, the end consumer?

It’s our prediction that there is going to be a rise of purpose-led content, and content creators that facilitate conversations and inform valuable two-way discussions with their audiences will come to the fore. Pushing out just one solitary, vacuous grid post isn’t going to cut it with audiences in a post-Covid world and PRs, brands and influencers need to recognise this.

The next few months are going to be an interesting time as opinion shifts. Beauty blogs? Meh. We’d rather see some more dancing bin men.